 The silent wilderness – 19th century Australian landscapesEssay: Lisa Sullivan |
 True crime – murder and misdemeanour in Australian artEssay: Lisa Sullivan |
 Print traditions – sources of Australian printmakingEssay: Dr Colin Holden |
 The enchanted forest – new gothic storytellers (A Geelong Gallery & NETS Victoria touring exhibition)Essay: Jazmina Cininas |
 Geoff La Gerche – gardens of good and evilEssay: Geoffrey Edwards |
 Peter Kaiser 1918–1995Essay: Charles Nodrum |
 Eugène von Guérard – View of GeelongEssay: Geoffrey Edwards |
 White mantle – the winter landscape in Australian artEssay: Geoffrey Edwards and Lisa Sullivan |
 Lake Gnotuk: a layered historyEssay: Anna Clabburn |
 Rodick Carmichael – the Australian yearsEssay: Jeffrey Makin |
 Ernest Decimus Stocks 1840–1921Essay: Veronica Filmer |
 Painted porcelain – decorated British ceramics 1750–1850Essay: Veronica Filmer |
 More than a memory – the art of Elizabeth ParsonsEssay: Veronica Filmer |
 Andrew Seward, A botanical album: drawings, prints and photograms 1999–2004Essay: Kate Rhodes |
 Return of the white bullEssay: Brian Hubber, Shaike Snir and Victor Majzner |
 Giants – ancient and historic treesEssay: Geoffrey Edwards |
 Augustine Dall'Ava – sculpture & drawings 198 –2003Essay: Geoffrey Edwards |
 500 Fridays: ten years of contemporary plein air paintingEssay: Ronald Miller |
 Bruno Leti, Survey Artists Books 1982–2003Essay: Alan Loney |
 Travels with Charles Travers MackinEssay: Veronica Filmer |
 All that glitters: Australian colonial gold and silver from the Vizard FoundationPremier’s Forword, The Hon. Steve Bracks; Director’s Forword, Geoffrey Edwards; Introduction Terence Lane; A Curator’s perspective, Brian Hubber; Belonging before Federation: Design and identity in colonial Australian gold and silver, Jonathan Sweet; Suite of observations on the Vizard Foundation Collection, Brian Hubber and Christine Jones. |
 William Buckley: rediscoveredEssays: Barry Hill, David Turnbull and Brian Hubber. |
 Watermarks: Crossing Carolyn, Neil Stanyer Illuminating evidence, Felicity Spear and Sarah Winfrey.Essays: Kevin Murray, Pru Evans and Peter Hill. |
 Liquid Beyond the city limit – new art from GeelongEssay: James McGregor |
 Philip Hunter: the Acheron worksEssay: Janine Burke |
 Pictorial knowledge: David Wadelton surveyEssay: Charles Green |
 Queens & sirens: Archaeology in 19th century art and designEssay: Alison Inglis and Jennifer Long |
 Geelong GothicEssay: Dr Colin Holden |
 Cartoons and caricature in contemporary artEssay: Ann Carew |
 Geelong Gallery collection – Education KitEssay: Adrian Montana |
 Victoria: buildings & builders – Geelong & districtEssay: Joseph Pascoe |
 Images of GeelongAnthology of poems |
 It’s about time – an exhibition by Kim DonaldsonEssay: Jason Smith |
 Making their mark: colonial artists of the Western DistrictEssay: Veronica Filmer |
 Archival permanence time and timelessness in 100 years of Australian photographyEssay: Vince Dziekan |
 Abstraction nowEssay: Natalie King, Simon Kronenberg |
 John Brack selected paintings 1950s to 1990sEssay: Sasha Grishin |
 People prints and patronage: the development of the Geelong Art Gallery’s print collection 1900-1996Essay: Diane Macleod |
 Alun Leach-Jones – Everyman: The Invention of signsEssays: Ann Carew, Rhana Devenport and Lynette Fern |
 Peter Cripps – real objects in the worldEssay: Peter Cripps |
 ‘Where I come from the birds sing a pretty song’ - Sally SmartEssay: Helen McDonald |
 The black showEssay: Peter Timms |
 Excalibur – contemporary artists and Celtic heritageEssay: Ann Carew |
 Swansea and Nantgarw: Welsh porcelain in AustraliaEssay: Veronica Filmer |
 Drawing on nature – images and specimens of natural history from the collection of the Museum of VictoriaEssay: Paul Fox |
 Painters of the past - Colonial art and GeelongEssay: Veronica Filmer |
 Murray Walker – ebb and floEssay: Robert Lindsay |
 Contemporary drawingEssay: Jennifer Phipps |
 Alexander Webb 1813–1892Essay: Veronica Filmer |
 A guide to the Geelong Art Gallery and its collectionEssay: Susie Shears |
 Geelong’s Colonial silversmithsEssay: Veronica Filmer |
 The art of Robert IngpenEssay: Susie Shears |
 Pictures on parade: a taste of GeelongEssay: Veronica Filmer |
 Geelong on exhibition: a photographic imageEssay: Paul Fox |
 Eric Thake – pubs & barsEssay: Margaret Rich |