Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden
Flow 03 (necklace) 2016
flameworked borosilicate glass and titanium
Toowoomba Regional Art Gallery, Queensland
Photographer: Grant Hancock
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden—ripple effect: a 25 year survey
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Long Conveyor II (necklace) 2020–21
Geelong Gallery
The creation of this work was supported through Creative Victoria’s COVID-19 Strategic Investment Fund, 2020
Photographer: Andrew Curtis
© Blanche Tilden

Blanche Tilden
Grand Palais (necklace) 2014
borosilicate glass and oxidised 925 silver
Collection of the Margaret Hancock Davis
Photographer: Grant Hancock
© Blanche Tilden


Blanche Tilden—ripple effect: a 25 year survey

Saturday 8 May to Sunday 1 August 2021

This 25 year survey of the work of Melbourne-based jeweller and maker Blanche Tilden revealed her remarkable and critically acclaimed practice. Tilden has a unique approach to her materials, in particular, glass, which she explores both as a material for jewellery making and deploys as a metaphor for the connections between making, industry, the wearable object and the body. Her fascination with mechanical devices, fuelled by a desire to understand how things work, continually inspires her work.

This first comprehensive survey of Tilden’s career included historical and contemporary works loaned from numerous public and private collections. Tilden has reinterpreted previous work to create new forms that expand on her preoccupations with value, mechanical movement, and industrial and architectural uses of glass, translating something of the macro immensity of the built and material world to the intimacy of the jewellery object.

This exhibition celebrated the City of Greater Geelong’s designation as a UNESCO City of Design and Blanche Tilden’s remarkable 25 year career at the nexus of art and design.

 
A Geelong Gallery touring exhibition 

Geelong Gallery, VIC, from Saturday 8 May to Sunday 1 August 2021

National Art Glass Collection/Wagga Wagga Art Gallery, NSW, from Saturday 11 December 2021 to Sunday 13 February 2022

Jam Factory Adelaide, SA, from Friday 4 March to Sunday 1 May 2022

Artisan, Brisbane, QLD, from Saturday 27 August 2022 to Saturday 22 October 2022

Canberra Museum & Gallery, ACT, from Saturday 5 November 2022 to Sunday 12 February 2023

UNSW Galleries, Sydney, NSW, from Saturday 1 April 2023 to Sunday 4 June 2023

 

 


Explore

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Blanche Tilden—ripple effect: a 25 year survey

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In conversation—Featherston x Tilden

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360° virtual tour

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Fly-through

Events

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A day out—contemporary jewellery and design

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Talking art: Meet the makers—a celebration of wearable art

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Illustrated lecture: Julie Ewington—five movements (a virtual event)

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For kids: Eye spy art adventures—kinetic sculpture

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For kids: Eye spy art adventures for wee ones—wearable art

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For kids: Ripple effect—paper design workshop

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Members exclusive—exhibition tour with Jason Smith

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In conversation—Featherston x Tilden

Key works

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Parallel

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Vertebrae

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Short Conveyor

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Long bicycle chain

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Sliding pulley

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Pierce

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Foundations of Gold collaboration

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Studio Hacienda

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Yom Hashoah (Holocaust Remembrance Day) ritual sash

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Swimming

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Epicormic Growth (Black Saturday)

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Fer et Verre

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Dutert

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Blurred Architecture collaboration

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Flow

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Buoy and Orbit

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Spin

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Featherston x Tilden

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Ripple Effect

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Long conveyor II