Barbara Brash
Sea fringe 1963
colour screenprint on Japanese paper
Geelong Gallery, Gift of Moira Eckel through the Australian Government’s Cultural Gifts Program, 2017
© Courtesy of the estate of the artist

Barbara Brash
Sea fringe 1963
colour screenprint on Japanese paper
Geelong Gallery, Gift of Moira Eckel through the Australian Government’s Cultural Gifts Program, 2017
© Courtesy of the estate of the artist


Barbara Brash—Holding Form

Saturday 25 June to Sunday 9 October 2022

Barbara Brash was a key artist in Melbourne’s printmaking revival of the 1950s and ’60s. Her richly coloured and dynamic works convey a unique visual language built on experimentation and a proficiency across a multitude of printmaking techniques. Throughout her career Brash consistently tested the boundaries of the printed medium, often combining several printmaking processes in her works, and embracing the power and potential of abstract forms through the synthesis of colour, gesture and texture in her impressions of landscapes and the natural world. Bringing together woodcuts, linocuts, lithographs and screenprints from throughout the artist’s career, Barbara Brash—Holding Form provides an insight into the evolution of Brash’s innovative and expressive practice.

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Read by a voluntary Geelong Gallery Guide



A Geelong Gallery exhibition


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360° virtual tour

Key works

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Red-plumed and blue birds of paradise (Paradisa raggiana and Paradisomis rudolphi)

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(Suburban streetscape)

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Head

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Seated woman

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House

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Cliff foliage

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Landscape

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The Stumpy Gully fire-brigade breaks down on the way to Moomba

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Promontory

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White-backed magpie (Gymnorhina hypoleuca)

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Twelve-wired birds of paradise (Parotia sefilata). Six-plumed birds of paradise (Selevucidis melanol

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Turquoise-browed motmot (Eumomota superciliosa)

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Skull of a triceratops

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Skull of a triceratops

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Butterflies I

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Butterflies II

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Heat haze I

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Ice

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Desert II

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Rain forest–rain

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Sea Fringe