Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh)
Prima Materia (installation view, Bundoora Homestead Arts Centre 2016)
Courtesy of the artists and Sarah Scout Presents, Melbourne
Photographer Jorge de Araujo

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

John Martin
James Stephenson (engraver)
G Mitchell (publisher)
The day of his wrath  1870
engraving
Geelong Gallery 
Acquired

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Zilverster (Goodwin & Hanenbergh) 
Madeira Fernweh 2020–21
ink and pencil on Arches paper with custom frame Courtesy of the artists and Sarah Scout Presents, Melbourne

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis

Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator
installation view, Geelong Gallery, 2021
Photographer: Andrew Curtis


Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator

Saturday 22 May to Sunday 17 October 2021

Sharon Goodwin and Irene Hanenbergh bring aspects of their distinctive individual practices together in their collaborative project Zilverster. The artists’ shared interest in art history, fantasy, cult iconography, alchemy and supernatural phenomena informs their collaborative drawings and imagery etched into three-dimensional objects. In this ‘Collection leads’ exhibition they take their inspiration from the Gallery’s 1870 etching based on John Martin’s sublime painting The great day of his wrath (1851–53), in the Tate Collection, London.

A Geelong Gallery exhibition

COVID–19 Safety
 

Please remember to follow our Covid Safety measures to continue keeping our community safe. We ask that you check-in when you arrive, wear your mask when indoors, utilise the sanitisation stations and continue to physically distance.

 


Events

Floortalk: Collection leads: Zilverster (Goodwin & Hanenbergh)—Amator