Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne

Lindy Lee
Pointing east, pointing west 1996
photocopy, synthetic polymer paint, oil, wax and ink on board
Geelong Gallery
Geelong contemporary art prize, 1997
Sponsored by the Geelong Art Gallery Foundation
© Courtesy of the artist
Photographer: George Stawicki

Tate Adams
Palm landscape I 1996
artist's book, wood engraving; edition 14/15
Geelong Gallery
Geelong print prize, 1997

David Frazer
Gary’s bungalow 1996
Wood engraving; edition 8/10
Geelong Gallery
Geelong print prize, 1997

John Ryrie
Some stuff in a boat 1997
Woodcut; artist’s proof
Geelong Gallery
Geelong print prize, 1997

Imants Tillers
1 2 3 4 1997
Etching; edition 2/14
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and Roslyn Oxley9 Gallery

Eolo Paul Bottaro
Macelleria, Sicilia 1997
Etching; edition artist’s proof
Geelong Gallery
Geelong print prize, 1997
Courtesy of the artist and James Makin Gallery, Melbourne


1997


1997 was the first year of our nationally acclaimed Geelong acquisitive print prize (now known as the Geelong acquisitive print awards). Thanks to the generous sponsorship of $3000 from the Gallery Grasshoppers, Geelong Gallery was able to acquire six works from artists Pat Brassington, Tate Adams, Eolo Bottaro, David Frazer, John Ryrie, and Imants Tillers. 

Australian artist Lindy Lee won the 1997 Geelong contemporary art prize for her work Pointing east, pointing west. At the time, Lee appropriated and recontextualised images from Old Master paintings in grids also exploring abstraction and the void. Using a photocopier, and altering tonal levels, Lee controlled the presence and disappearance of her subjects.